![]() The landscape area is 11,823 square meters. Collect natural Rain Water and artificial waterscape infiltrate and recycle each other, produce self-iterative sustainability, and create a role model of sustainable ecological environment for the community in the future Skillfully use the shape slope of the central building to collect the mutual infiltration and recycling of natural Rain Water and artificial waterscape, resulting in the sustainability of self-iteration, and realize the illusion that the architectural hologram is mapped on the water surface visually.Īs the collection of the community Rain Water, and create a sponge city system of the community, so that a large area of trees and plants in the project will be preserved. Respect the height difference of the terrain and make rational use of it, collect the community Rain Water, and create a sponge city system of the community, so that a large area of trees and plants in the project can be well preserved. The project started in January 2021 in Zengcheng,Guangzhou and finished in June 2021. Through the immersive experience of multi-dimensional terrain height difference, landscape design blurs the boundary between natural and artificial, uses different design techniques to realize the space-time transformation, and shows the interweaving of art and humanities. The project creates seven highlights of themes, including entry, forest in the shuttle, canyon within exploration, green walk, mystery valley, star river in the spark, and water county in meditation. Pure,concise and the Minimalism of the art strategy, the perfect integration into nature. Meanwhile, communal space experience is heighten, while a deeper experience space is created. The purpose of project is to explore the boundary between human and nature, lighten the sense of alienation. The design principle is to focus on the potential of site transformation. ![]() In the meanwhile, the landscape strategy is designed to carried out by using a unified landscape language.ĭeconstruct and reconstruct, to seek the harmony balance relationship between architecture and site, and construct artistic living scene at the boundary of architecture and nature. ![]() The architectural form takes the diamond cutting shape to build the architecture into a contemporary experiential art space. Behind the seemingly improvised creation lies the re-emergence and re-emphasis of Antao’s natural philosophy.THE AWARD | JURY | CATEGORIES | REGISTRATION | PRESS | WINNERS | PUBLICATIONS | ENTRY INSTRUCTIONSĭragon Bay Exhibition Center by Qidi Design Group ![]() The oriental design has successfully established a sense of order in this complex and dynamic geography. The spiral staircase also connected the gardens with the external view, and the height difference made the Zen garden a hidden surprise. The spiral descends, and the curved extension of space enriched the sense of layering in the space. When dealing with the height difference between the reception and the display house, the Antao team designed a half-spherical waterfall that connected the upper and lower levels. The landscape as a whole is an organic form that is alive and active, like fishes swimming freely in the water. The contrast between openness and restraint and the contrast between hardness and softness served to diminish the density of the structure and added a sense of dynamic into the space.Īs people walk through the “canyon” and the “lake” and stop above the waterfall to look down upon the views, the space is connected in a spiral shape. The entrance was designed in a curved shape, so the audience can immerse themselves in the tranquility and leave the hustle and bustle of the city behind when walking through it. The two curved lines in the layout resembled two swimming fishes. This time, using similar but more advanced method, Antao encouraged the audience to explore the boundaries and freedom of landscape.īoundaries are firm on the outside, but open on the inside just as fishes swimming freely in the mountains, enjoying their time. In the 2010 design, Antao established a sense of landscape order in the chaotic background of high-rise buildings through the metaphor of swimming fishes. This design was inspired by the 2010 Shanghai Light of the City, which was also designed by us. A complex space requires a more organic form to reconstruct its configuration. Great minds think alike, both the landscape designer and the architect agreed on one thing: a rigorous geometry design may not be the best option in the mountainous landscape. The first step to landscape architecture is to reconstruct a sense of order and a warm ambience, so that it will sustain throughout future development. We believe the current lacking state is just temporary.
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