![]() The two groups of instruments then move in and out of different octaves until they eventually "collide" with each other at the same pitch. After being stated, the main theme is then very slightly modified with a few different ascending notes, but transposed up a perfect fifth (to the key of F-sharp major, the dominant key, but with flattened sixth) and played on different instruments. The simple theme begins slowly and quietly in the lowest registers of the orchestra, played first by the cellos, double basses, and bassoons. The piece is in the overall key of B minor. enough" – avoiding the commitment implicit in the phrase " To thine own self be true" and just doing enough – is central to Peer Gynt 's satire, and the phrase is discussed by Peer and the mountain king in the scene which follows the piece. Grieg himself wrote, "For the Hall of the Mountain King, I have written something that so reeks of cowpats, ultra-Norwegianism, and 'to-thyself-be-enough-ness' that I cannot bear to hear it, though I hope that the irony will make itself felt." The theme of "to thyself be. There is a tremendous uproar in the hall." The lines sung are the first lines in the scene. ![]() Dovregubben sits on his throne, with crown and sceptre, surrounded by his children and relatives. The scene's introduction continues: "There is a great crowd of troll courtiers, gnomes and goblins. The piece is played as the title character Peer Gynt, in a dream-like fantasy, enters "Dovregubbens (the troll Mountain King's) hall". The two- phrase theme, written in the key of B minor ![]() Audio playback is not supported in your browser. ![]()
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